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A 1562 Petrarchan Italian-English Dictionary Inscribed by "Maria sidney" - Document - Gale Literature Resource Center
A History of the Old English Letter Foundries; by Talbot Baines Reed; A Project Gutenberg eBook.
Sources of the Western tradition. Volume II : from the Renaissance to the present | WorldCat.org
PDF) Petrarch and Babylon-Censorship | Peter Stallybrass - Academia.edu
The library of poet and professor, Friedrich Gundolf | Institute of Languages, Cultures & Societies
PDF) Res publica restituta? Perceiving emperors in fourteenth-century Rome
Prints and Principles: Seven alphabet woodcuts designed by Hans Holbein the Younger, 1522
A checklist of the manuscripts containing the writings of Peter Abelard and Heloise and other works closely associated with Abelard and his school - Persée
Petrarch Dominican Medieval Manuscript : Medieval Text Manuscripts
The posthumous career of Robert Greene in: English literary afterlives
The Revolving Planets and the Revolving Clocks: Circulating Mechanical Objects in the Mediterranean - Avner Ben-Zaken, 2011
galton-1869-genius-v3
Bibliography in: The early modern English sonnet
Quotations - Make Fun Of Life!
Palaeography - Wikipedia
Prima pars Dictionarij continet dictiones his litteris incipientibus A.B.C.D (v.1) - Library | University of Leeds
Forum Auctions by Jamm Design Ltd - Issuu
Petrarch Dominican Medieval Manuscript : Medieval Text Manuscripts
Petrarch Dominican Medieval Manuscript : Medieval Text Manuscripts
Figura of the Poet: Pastoral Petrarchism as the Practice of Ingenious Gentlemen (Chapter 3) - Cervantes the Poet
Figura of the Poet: Pastoral Petrarchism as the Practice of Ingenious Gentlemen (Chapter 3) - Cervantes the Poet
Collection "How Petrarca became famous" (till 1450) - Page 2 - Tarot History Forum
Chiswick Auctions Printed Books & Manuscripts July 2018 by Chiswick Auctions - Issuu
PDF) Ezra Stiles and North America in the Early Modern Republic of Letters | Theodore Delwiche - Academia.edu
The Letters of Bernard Berenson and Isabella Stewart Gardner (Part I) by Isabella Stewart Gardner Museum - Issuu